Tell Me Where You Are

Song written by Ricky and Kim Wilde. Not included on the album Close, this track was released as the B-side of the single Hey Mister Heartache, except France, where it was the B-side of the single You Came.


Lyrics

Although I’m standing here beside you
You make me feel like I’m all alone
And I’ve been trying hard to break through
But if you need me I’ve got to know

Baby, I’ve got to know is this imagination or something real
Baby, where do you go won’t you come a little closer
and tell me how you feel

Tell me where you are
cos we seem so far apart
Tell me where you are
Where’s your heart

I know that love has been a stranger
And always something that let you down
Hoeny, you’re not in any danger
I’ll never give up on what we’ve found

Baby, I love you so come on turn around and listen to what I say
Baby, I’ll never go you don’t have to keep your distance
Please stop running away

Tell me where you are
cos we seem so far apart
Tell me where you are
Where’s your heart

Have you discovered a place to hide
Because you’re scared of letting anyone inside
Forget your pride
Come on baby give it a try

Baby
Tell me where you are
Where’s your heart
Baby, tell me where you are
cos we seem so far apart
Tell me where you are
Where’s your heart

Teenager in Love

Song written by Doc Pomus and partner Mort Shuman. Originally sung and released by Dion and the Belmonts in America in March 1959. It reached number 5 on the Billboard pop charts. In May 1959, the song held three positions in the British Top 20, the other two versions being by Marty Wilde and Craig Douglas. For Marty Wilde, it was the biggest hit of his career, peaking at number 2 and staying in the charts for 17 weeks.

The song was covered by Bob Marley with The Wailers, Simon and Garfunkel, Helen Shapiro, Less than Jake and by the Red Hot Chili Peppers.

Kim sang a version of ‘Teenager in love’ with Cliff Richard in Chris Evans‘ breakfast show on BBC Radio 2 on 8 November 2013.


Lyrics

Each time we have a quarrel
It almost breaks my heart
‘Cos I am so afraid
That we will have to part

Each night I ask the stars
The stars up above
Why must I be a teenager in love

One day I feel so happy
Next day I feel so sad
I guess I’ll learn to take
The good with the bad

Each night I ask the stars up above
Why must I be a teenage in love

I cried a tear
For nobody but you
I’ll be the lonely one if you should say we’re through
Well if you want to make me cry
That won’t be so hard to do
And if you should say goodbye
I’ll still go on loving you

Each night I ask the stars up above
Why must I be a teenager in love
I cried a tear
For nobody but you
I’ll be the lonely one if you should say we’re through
Yeah
Well if you want to make me cry
That won’t be so hard to do
And if you should say goodbye
I’ll still go on loving you
Each night I ask the stars up above
Why must I be a teenager in love
Why must I be a teenager in love

Teddy Bear

Song written by Kal Mann and Bernie Lowe, originally published in 1957.

The song was a US number 1 hit for Elvis Presley during the summer of 1957, and his third of the four that he would have that year.

In 1982, Johnny Hallyday and Kim Wilde sang a cover of the song during a broadcast of the show ‘Formule 1+1’. It is the only time Kim has sung the song.


Lyrics

Baby let me be
your lovin’ teddy bear
Put a chain around my neck
and lead me anywhere
Oh let me be
your teddy bear.

I don’t wanna be a tiger
’cause tigers play too rough
I don’t wanna be a lion
’cause lions ain’t the kind you love enough

Just wanna be
your lovin’ teddy bear
Put a chain around my neck
and lead me anywhere
Oh let me be
your teddy bear.

Teases & Dares outfit

A striking set of clothing was designed for Kim in 1984 when she was preparing a new image for her fourth studio album Teases & Dares. When it was presented it generated a fair amount of publicity, for the press concluded that Kim herself had changed dramatically by wearing this. Soon after, Kim called the outfit a mistake, and a blemish on an album she was otherwise very proud of.

Kim about the Teases & Dares outfit

This outfit was made for me to wear for the cover of the “Teases & Dares” LP. It really is hideous – blue crushed velvet with silver panels and strips of blue everywhere. I wanted to change the picture for the LP cover but the record company held me up to ransom and said that the LP would miss the release date if we didn’t go with that sleeve. I should have stuck up for myself but I didn’t. This outfit was made by a woman who’s employed to make clothes for me. Now she does make some really great clothes, clothes that I really enjoy wearing a lot and she’s very good, but this particular outfit was one of her less inspired creations and it made me look dreadful. But I do believe I wore it on Wogan, so I suppose at the time I must have liked it. We all make mistakes and do things we regret later on. That’s part of growing up in public, which all us pop stars have to do. (1)

Interview source

(1) My least favourite things In: Smash Hits (UK), October 1987


Teases & Dares

Released on 12 November 1984, ‘Teases & Dares’ is Kim Wilde’s fourth studio album. After signing to MCA Records in the summer of 1984, this was her first album for that label.

Music

Ricky and Marty Wilde wrote eight out of ten tracks from the album. Kim co-wrote ‘Thought It Was Goodbye’ with them and also contributed two self-penned tracks, ‘Fit In’ and ‘Shangri-La’.
The music was still very synth-based, but occasionally relied more on a traditional rock backing, such as on the tracks ‘Rage to Love’ and ‘Janine’.

Tracks

This album contains the tracks The Touch, Is It Over, Suburbs of Moscow, Fit In, Rage to Love, The Second Time, Bladerunner, Janine, Shangri-La, Thought It Was Goodbye.

Artwork

The sleeve artwork, designed by XL design featured a new Kim Wilde, fit into an image often compared with the comic strip and film character Barbarella. Kim has commented that this image worked well at first but soon became a drag.
The photography was done by John Shaw.

Formats

‘Teases & dares’ was originally released on LP and tape. The album was released on cd in 1985.
The German pressing of the cd is notable for its apparent ‘cd rot’: towards the end of the fourth track you can see a miniscule hole in the disc. So far, there have been no reports that this affects play of the disc.
See also this page in the discography.

Credits

Lead guitars, backing vocals: Steve Byrd
Percussion: Andy Duncan
Drums: Chris North
Fender jazz bass: Gary Twigg
Yamaha DX7, Solina, Mini moog, lead vocals: Kim Wilde
Guitars, Roland Jupiter 8, Solina, Mini Moog, Synclavier II, Yamaha DX7, computer programming, backing vocals: Ricki Wilde
Produced by Ricki and Marty Wilde, except ‘Fit in’ produced by Kim, Ricki and Marty Wilde.
Engineer: Nigel Mills with thanks to Stephen Stewart-Short and Pete Schwier.
Recorded and mixed at Select Sound Studios, Knebworth.

Kim about ‘Teases & dares’

Can you give an example of something going wrong?
There are many! I’ll confine myself to the sleeve of my previous album. We started working with a creative group of people. A very freaky video had been made and during the filming some photographs were made as well. It looked beautiful, strange and wild. Then I got back from travelling abroad and one of these strange photographs were placed on the sleeve of the album. It didn’t fit the atmosphere of the album at all. I went to the responsible person in a fit of anger. You know what you get to hear then? ‘It’s tough Kim. You either approve of this photograph or we delay the release for three months.’ Well, what to do then? But although I like a good sleeve and presentation, such a failure isn’t the end of the world. But in the future I will be more attentive. (1)

‘Teases & dares’ is a line from Fit in. It was chosen as the title, because it seemed to relate vaguely to what pop music is all about, teasing & daring. I also think it sounds good!

Chart performance

Germany: 22 (23 weeks)
Netherlands: 31 (5 weeks)
Sweden: 35 (10 weeks)
Switzerland: 10 (9 weeks)
United Kingdom: 66 (2 weeks)
USA: 84 (10 weeks)

Interview source

(1) The big Kim Wilde interview: ‘Too much has gone wrong, that won’t happen to me again’, Hitkrant (Netherlands) & Joepie (Belgium), 18 June 1988


Tearaway

Song, written by Ricky Wilde and recorded in 1980 as a demo track. Originally, this track was meant to be Ricky’s new solo single, with Falling Out as B-side.

When Mickie Most heard Kim singing backing vocals during the recording of these two tracks, he decided that she would be a great pop star. Soon, Kids in America was written and recorded.

The track was never officially released. In 2002 it suddenly appeared on an illegal compilation album called ‘Singing heroes’. It was available for a short time, until the responsible record company went bankrupt.


Lyrics

A window crashes in the night
Just like a flash it cuts aside
A sudden silence hits the street
That’s when I really feel the heat
It’s got a feeling of its own
I guess it’s all I’ve ever known
And still you think you wanna stay
Well listen to me girl that’s just what I say

I wanna tearaway
Wanna tearaway
And I won’t give a damn
No I won’t give a hand to nobody at all
You could stay with me tonight
‘cos if you want to, that’s alright
‘cos when you don’t give a damn
You’re really not losing out

Just stick your hands against the wall
I think I hear somebody call
I stand and look up into space
I turn around and see your face
A look of sadness hits your eyes
And through your tears you’re asking why
But when I touch you too you burn
If you wanna live life then you gotta learn

I wanna tearaway
Wanna tearaway
And I won’t give a damn
No I won’t give a hand to nobody at all
You could stay with me tonight
‘cos if you want to, that’s alright
‘cos when you don’t give a damn
You’re really not coming out

You really should be making school
I guess you think you’re really cool
I wonder if I’ve got a heart
Or when my tears are gonna start
You should have asked me (inaudible)
There is so much you have to know
But when I needed someone there
Well nobody listened and nobody cared

I wanna tearaway
Wanna tearaway
And I won’t give a damn
No I won’t give a hand to nobody at all
You could stay with me tonight
‘cos if you want to, that’s alright
‘cos when you don’t give a damn
You’re really not coming out

Tearaway
Keep on running, keep on
Tearaway
Keep on running, keep on
Tearaway
Keep on running, keep on
Tearaway
Keep on running, keep on
Tearaway
Keep on running, keep on

Tchibo

International chain of stores selling coffee and a range of household products, changing every Wednesday. Kim appeared in an advertorial for Tchibo in the Spring of 2004, posing as a ‘gardening goddess’ and a ‘kitchen diva’.

Kim about Tchibo

I like the idea of loads of different products that change every week. It’s a great concept to be able to buy a jacket alongside a watering can. If you’re as busy as me, that’ll save travelling round the shops. Besides, I love a bargain! (1)

Interview source

(1) Wilde in the country In: News of the world Sunday magazine (UK), April 4, 2004


Tatton Flower Show

The Tatton Flower Show is set in the 2,000 acres of the Tatton Park estate in Cheshire. The Show contains some of the best in gardening and horticulture. The first show at Tatton was held in 1999.

Tatton Park estate includes rich parkland and fourteen splendid themed gardens of its own, rich in horticultural and design history. The original manor house dates back over 400 years and for the majority of that time the estate was owned by the Egerton family. It was taken over by the National Trust in 1958.

The gardens at Tatton form a major part of the estate, developed from the 18th century to the beginning of the 20th century, complimenting the grandeur of the neo-classical mansion. Spreading over 50 acres, the gardens include a wide variety of ornamental gardens enhanced by statuary and impressive garden buildings, such as the Conservatory, which reflect the changing face in garden design since the early 18th century.
As each generation of family members was influenced by the latest horticultural fashion or whim, they kept their current gardens and simply converted more of the parkland into garden by moving the garden boundary fence. Tatton now has a collection of 14 gardens that tell a rich, living family and horticultural history.

Kim Wilde and David Fountain won the “Best in show” and Gold awards at the 2001 Tatton Flower Show with their garden All About Alice.


Take That

Take That was one of England’s most popular bands in the first half of the nineties, and thanks to a loyal following of mostly young girls they had a lot of number one hits.
Gary Barlow (born 20 January 1971, Frodsham, Cheshire, England), Mark Owen (born 27 January 1974), Howard Paul Donald (born 28 April 1968, Droylsden, Manchester, England), Jason Thomas Orange (born 10 July 1970, Manchester, England) and Robbie Williams (born 13 February 1974, Port Vale, England) formed the group in Manchester, England. They attracted some attention with the release of their debut single ‘Do What U Like’ on their own label in July 1991. The press attention was mainly focused on the nudity in the accompanying video, in which the boys showed their buttocks.

The interest of RCA Records was soon attracted as well, and they signed them on in September of the same year. June 1992 brought the group their first UK chart hit with ‘It only takes a minute’, formerly performed by Tavares in the seventies. The single was the first indication of the hugely successful ‘Take That and Party’ album, which entered the album charts on number 5 in the UK. The single ‘A million love songs’ reached number 7 in the singles charts, and by the end of the year most popularity polls indicated that the youth of England had fallen for the five cleancut boys.

In 1993, the album ‘Take That and Party’ climbed to number 2 in the UK album charts, and the single ‘Could it be magic’ reached number 3. In April the single ‘It only takes a minute’ and the album were released in the United States, but the releases were very unsuccessful. Meanwhile, ‘Pray’ and ‘Relight my fire’ became number 1 hits in the UK, officially establishing Take That as the most popular group of 1993.
When the album ‘Everything changes’ was released in October, it debuted at number 1 in the UK album charts. In December, ‘Babe’ became their third charttopper.
While the group remained successful in 1994 and 1995, with further number 1 hits like ‘Sure’ and ‘Back for good’, the group decided to call it quits when a Greatest Hits compilation was released in 1996. The last single was a Bee Gees cover, ‘How deep is your love’. Meanwhile, Robbie Williams was kicked out of the group, supposedly for drug abuse.
After the group split, Gary Barlow and Mark Owen took a stab at a solo career, but neither of them were as successful as the group had been. Robbie Williams was more successful and has already released several millionselling albums.

In 2006, Take That reformed – albeit without Robbie Williams, who was suffering from a depression and addiction problems – and seemed to pick up their fame without trouble. Hits like ‘Patience’ and ‘Rule the world’ confirmed their status as one of Britain’s most successful male groups. In 2010, they did reform with Robbie Williams for the album ‘Progress’. After he left again, three other members continued without him.

Kim Wilde has stated a few times that she liked Take That.

Kim about Take That

I’ve met them a few times and swooned hopelessly all afternoon – but, of course, they’re too young for me… aren’t they? (1)

They’re quite good really, aren’t they? I love their records and I met them a few weeks ago, met Jason… (sighs) (2)

Interview sources

(1) unknown
(2) Gimme 5, ITV (UK), 17 July 1993


Take Me Tonight

Song written by Ricky and Marty Wilde. Seventh track of the album Select. This track was also released as the B-side to the 7″ and 12″ single View From a Bridge.

In Japan, this track was also released as a single, in support of the movie Shadow.

Versions

Three versions of ‘Take Me Tonight’ have been released.
The album version was released in 1982.
The original mix was released in 2020.
A remix by Luke Mornay, entitled the Luke Mornay Profondo Giallo Mix, was released in 2024.

Live performances

‘Take me tonight’ was performed live during the Debut Tour in 1982 and the Catch Tour in 1983.

Marty about ‘Take me tonight’

One night I’d finished working in a show and I quickly changed and went out very quietly and stood in the bar in this disco and like a voyeur I stood in the darkness and watched everybody else making plans for that particular night. I tried to put myself in the position of how Kim would feel and the kind of things that Kim would say – I hope I got it right.


Lyrics

Lost in the dark the lovers embrace
As the last song plays
Everyone makes for home
Now it’s just me and you alone

And I won’t really care if we can’t meet again
You just live your life
I’m just a night to pass
You’re just a dream that couldn’t last

Take me tonight
Take me tonight
Take me tonight
I want you, I want you – want me too ?

No way of knowing just where my life’s going
Who cares if it’s wrong or it’s right
When all I believe in is just how I’m feeling
Tonight, oh, take me

Take me tonight
Take me tonight
Take me tonight
I want you, I want you

T’pau

Formed in 1986, this UK group began as a songwriting partnership between vocalist Carol Decker (born 10 September 1957 in London (UK)) and guitarist Ronnie Rogers (born 13 March 1959 in Shrewsbury (UK)). While recording a demonstration disc, they were joined by session musicians Michael Chetwood (born 26 August; keyboards), Paul Jackons (born 8 August 1961; bass) and Tim Burgess (born 6 October 1961; drums). The group then signed to Siren Records as T’Pau, the name being taken from a character in the science fiction television series Star Trek.

Having acquired the services of producer Roy Thomas Baker, T’Pau recorded their first sessions in Los Angeles. The group’s first two singles failed to make any impact in the UK market, until “Heart and soul” abruptly established them in the US charts, where it climbed to number 4 in 1987. The song was re-promoted in Britain and repeated that chart placing. In order to bolster the line-up, lead guitarist Dean Howard was recruited and a major UK tour followed.

Decker’s strong, expressive vocals were highlighted on ‘China in your hand’, a classic song which topped the UK charts. Their debut album ‘Bridge of spies’ fared as well, reaching number 1 in the albums chart. Further top 20 hits were ‘Valentine’ and ‘I will be with you’, taken from the aforementioned album.

The second offering, ‘Rage’ (1988), was a disappointment. Only the first single, ‘Secret garden’ scraped to number 18 in the UK charts, but further singles didn’t make much of an impact in the chart. It took T’pau three years to come up with ‘The promise’, but by then their momentum was gone. The band finally broke up and Carol Decker embarked on an unsuccessful solo career.

Carol reinstated the name T’pau in 1998 by releasing the album ‘Red’ with a totally different line-up behind her. It failed to make a chart impact due to distribution limitations, although the album was released in the US a year later.

In 2001, Carol joined Kim Wilde and others for the Here & Now Tour 2001 in November. She repeated this in the Here & Now Greatest Hits Tour in 2003, together with Ronnie Rogers.

T’pau returned with a new album ‘Pleasure and Pain’ in 2015.